{"id":4101,"date":"2011-03-17T15:38:40","date_gmt":"2011-03-17T13:38:40","guid":{"rendered":"http:\/\/www.plotmag.com\/blog\/?p=4101"},"modified":"2015-12-04T13:41:57","modified_gmt":"2015-12-04T12:41:57","slug":"maya-2012","status":"publish","type":"post","link":"https:\/\/www.plotmag.com\/blog\/2011\/03\/maya-2012\/","title":{"rendered":"Maya 2012"},"content":{"rendered":"<p>Mit Maya 2012 f\u00fcr Modellierung, Animation, visuelle Effekte, Rendering und Compositing bringt der Weltmarktf\u00fchrer in der Computeranimationsbranche Autodesk bereits die 13. Version auf den Markt. Bessere Pipeline-Integration, erweiterte Simulations-Toolsets und Ansichtsfenster sind nur einige von vielen Erneuerungen der Software.<br \/>\n&#8220;Maya treibt die kreativen Innovationen in der Film-, Spiele- und Fernsehindustrie weiter voran. Von <a class=\"underLink\" href=\"http:\/\/www.plotmag.com\/blog\/2011\/03\/black_swan\/\" target=\"_blank\">&#8220;Black Swan&#8221;<\/a> bis &#8220;EA Sports&#8221; werden in jeglicher Art von Genre neue Standards gesetzt.\u201d so Marc Petit, Senior Vize Pr\u00e4sident, Autodesk Media &amp; Entertainment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mit Maya 2012 f\u00fcr Modellierung, Animation, visuelle Effekte, Rendering und Compositing bringt der Weltmarktf\u00fchrer in der Computeranimationsbranche Autodesk bereits die 13. Version auf den [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[139,138],"_links":{"self":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/4101"}],"collection":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/comments?post=4101"}],"version-history":[{"count":12,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/4101\/revisions"}],"predecessor-version":[{"id":24290,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/4101\/revisions\/24290"}],"wp:attachment":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/media?parent=4101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/categories?post=4101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/tags?post=4101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}