{"id":35116,"date":"2018-06-04T09:35:09","date_gmt":"2018-06-04T07:35:09","guid":{"rendered":"https:\/\/www.plotmag.com\/blog\/?p=35116"},"modified":"2020-03-04T16:18:38","modified_gmt":"2020-03-04T15:18:38","slug":"stalactite-art-light-installation","status":"publish","type":"post","link":"https:\/\/www.plotmag.com\/blog\/2018\/06\/stalactite-art-light-installation\/","title":{"rendered":"STALACTITE \u2013 Art Light Installation"},"content":{"rendered":"<p>Beim Bright Brussels Festival 2018 erhellte Christopher Bauder von WHITEvoid die n\u00e4chtliche EU-Hauptstadt: 360 Neonleuchten, vernetzt zu einer riesigen Pyramide, schwebten \u00fcber die Besucher hinweg und pulsierten im Rhythmus der elektronischen Musik des spanischen Musikers Boris Divider. Dank der Installation als Dauerschleife konnten die Zuschauer jederzeit dazusto\u00dfen und Teil des meditativen Spektakels werden.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/271543838?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen title=\"STALACTITE - light art installation by Christopher Bauder and Boris Divider\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beim Bright Brussels Festival 2018 erhellte Christopher Bauder von WHITEvoid die n\u00e4chtliche EU-Hauptstadt: 360 Neonleuchten, vernetzt zu einer riesigen Pyramide, schwebten \u00fcber die Besucher [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8,7],"tags":[523,1853],"_links":{"self":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/35116"}],"collection":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/comments?post=35116"}],"version-history":[{"count":8,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/35116\/revisions"}],"predecessor-version":[{"id":35139,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/35116\/revisions\/35139"}],"wp:attachment":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/media?parent=35116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/categories?post=35116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/tags?post=35116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}