{"id":18492,"date":"2014-02-26T00:55:34","date_gmt":"2014-02-25T23:55:34","guid":{"rendered":"http:\/\/www.plotmag.com\/blog\/?p=18492"},"modified":"2016-08-27T00:23:27","modified_gmt":"2016-08-26T22:23:27","slug":"the-murder-of-the-crows-2009","status":"publish","type":"post","link":"https:\/\/www.plotmag.com\/blog\/2014\/02\/the-murder-of-the-crows-2009\/","title":{"rendered":"The Murder of crows, 2009"},"content":{"rendered":"<p>2009 zeigte das K\u00fcnstlerpaar Janet Cardiff und George Bures Miller im Hamburger Bahnhof, Berlin die 30-min\u00fctige Klanginstallation \u201eThe Murder of Crows\u201c. Dabei installierten sie 98 Lautsprecher, \u00fcber die sie Kompositionen aus Stimmen, Musikst\u00fccken und Raumkl\u00e4ngen einspielten. Durch ein stereophones Verfahren zur Aufnahme und Wiedergabe des Klangfelds (Ambisonics) wurde der Zuh\u00f6rer so mit einem \u00fcbersteigerten r\u00e4umlichen H\u00f6ren und Empfinden konfrontiert.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2009 zeigte das K\u00fcnstlerpaar Janet Cardiff und George Bures Miller im Hamburger Bahnhof, Berlin die 30-min\u00fctige Klanginstallation \u201eThe Murder of Crows\u201c. Dabei installierten sie [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1478,11],"tags":[],"_links":{"self":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/18492"}],"collection":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/comments?post=18492"}],"version-history":[{"count":8,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/18492\/revisions"}],"predecessor-version":[{"id":18837,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/posts\/18492\/revisions\/18837"}],"wp:attachment":[{"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/media?parent=18492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/categories?post=18492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.plotmag.com\/blog\/wp-json\/wp\/v2\/tags?post=18492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}